The Period Called Romanticism Representations of Terror...

The period called Romanticism appeared as a reaction against the fixed standards of neoclassicism which emphasized reason and logic, and in this way, Wordsworth, in the preface of his Lyrical Balads claimed for a imaginative approach to nature and the overflow of feelings. Thus, English writers of the Romantic period believed individualism as being the most important feature; they valued subjectivity, imagination, and the expression of emotions over rational thought as a true source of aesthetic experience. Before the 18th Century, few writers were concerned with discovering their own individual identities and feelings but the changing economy of the industrial revolution helped to widespread the interest for individualism, creating†¦show more content†¦Lovecraft when he says â€Å"no one need wonder at the existence of a literature of cosmic fear. It has always existed, and always will exist† . Thus, we could examine the terror imagery and their prevalence in l iterature, fully developed with the gothic literature of the 18th century, with environments with mysterious atmospheres and ruined castles and authors like Ann Radcliffe, or Matthew Lewis and those English authors, who followed and developed the gothic tradition creating characters that became worlwide archetypes. The elements of this imagery can be found in folklore and legends, as Mary Shelley did, in an oniric world, like Charles Lamb or in James Hogg ´s wicked character, This essay attempts to headlight some of the ways Romantic writers approached to represent the concept of terror; I have chosen three Romantic works,of the above mentioned authors, for this purpose: Charles Lamb ´s â€Å"Witches and other Night Fears†, Mary Shelly ´s â€Å"On Ghosts† and James Hogg ´s â€Å"The Private Memoirs and Confessions of a Justified Sinner† - Within these three works we are likely to discover the ideas of obscurity of the human mind and its a ffinity towards the unknown and the dark ,characteristic topics of the Romanticism, although their treatments of the elements to bring to the surface the emotion ofShow MoreRelatedImpact of the 1789 French Revolution on Literature3917 Words   |  16 PagesRevolution on Literature Introduction - Outline ONE: Pre-Revolution Attitudes in France freedom of expression was repressed to a degree that became intolerable the pre-Revolution literature reflected and related to the upper class in France the French language was considered the Kings language and for those extolling the virtues of the king; the great bulk of the French population used Latin TWO: The Romantic Movement Following the Revolution of 1789 albeit the movement of romanticism was bornRead MoreSelf-representation in William Wilson by Edgar Allan Poe and Bartleby, the Scrivener by Herman Melville 1760 Words   |  8 Pagesexamples to discuss the difficulties of self-representation. 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The most well known works of Edgar Allan Poe in fiction are the hop-half frog, masque of the red death and the fall of the house of usher while in poetry â€Å"The Raven† and â€Å"To Helen† are the one that became famous in American literature. 2. The common themes that showed up in his popular tales are filled w/ strange, psychological and moral realities that discusses about death Eros and horror, the art of brutality was also been expressed and it is all rooted because of humanRead MoreCommon Themes of Edgar Allan Poe3166 Words   |  13 Pagessuch analysis. 1. The most well known works of Edgar Allan Poe in fiction are the hop-half frog, masque of the red death and the fall of the house of usher while in poetry â€Å"The Raven† and â€Å"To Helen† are the one that became famous in American literature. 2. 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Austen’s CriticismRead MoreMetz Film Language a Semiotics of the Cinema PDF100902 Words   |  316 Pagesimportant is Martinet s theory of double articulation, according to which the potentially unlimited number of linguistic statements a language system may express is derived from a few thousand . . . freely combinable minimal lexicogrammatical units called monemes (first articulation), which, in turn, derive from a very small number of units of a different type, the phonemes (second articulation; see Elements, Chapter I, Sections 8-14). The first articulation involves both the signifier (or expression)